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Poetry in Classical Nahuatl, the language of the Aztec Empire, relies on difrasismo, or a parallel noun construction that conventionally operates as a single metaphor. For example, the common difrasismo in cuauhtli in ocelotl (literally, “the eagle, the jaguar”) signifies “warrior.” The device’s function is both formal—providing structure to lines of verse—and ritual: semantic relations among the two nouns and the concept they signify can be tenuous, as in the previous example, such that difrasismos are often only intelligible according to the conceptual associations observed in Aztec ceremonial culture.

Which statement about the difrasismo in cuauhtli in ocelotl is most strongly supported by the text?