On painter William H. Johnson’s return to the United States in 1938 after a decade in Europe, his style underwent an abrupt transformation. Turning away from landscapes painted in an expressionist style—a style that often involves using fluid, distorted shapes and thick, textured brushstrokes to express the artist’s subjective experience of reality—Johnson began painting portraits of Black Americans in a bold new way. Evocative of African sculpture and American and Scandinavian folk art, these portraits feature flat, deliberately oversimplified figures in a vibrant but limited color palette.