In Asiya Wadud’s 2022 poem “Shorn, Treaded Red,” the poet contemplates a painting that has inspired her: Etel Adnan’s 2020 work Satellites 27. The painting, which features overlapping geometric shapes, fuels the poem’s exploration of temporality and identity. ______blank in responding to Adnan’s artwork, Wadud’s poem reflects on the relationship between poetry and other art forms.